Marching Ahead

Somehow it’s a whole month since my last post, despite my intentions and efforts. I was pushing myself to finish some things in the last few weeks, which kept me away from my computer. But let’s not focus on the negative.

I took the photo above on February 10. Those snowdrops were quite brave, as we had plenty of both very cold temps and snow after that. Since they’re not mine and I didn’t record the address where I snapped the image, I can’t tell you how they made out, but I am seeing lots of snowdrops on my morning walks now, in early March, so I know plenty of these little lovelies made it.

What was I so busy with? I finally admitted to myself that the USPS was never going to find the package I’d mailed on 12/18. So remade both the placemats and the handknit fingerless mitts, filed for a refund of the shipping & insurance coverage, and sent o a new package. Along with his thank you, my nephew kindly sent me a photo of the placemats on his table.

I made a batch of 10 more bead bags, although I apparently forgot to photograph them. I THOUGHT I had taken a picture, but it’s nowhere to be found. Not even in my recently deleted file. Oh well.

At a customer’s request I wove a batch of 9 more crackle towels. We kept in close contact throughout the process, and within hours of me listing them in my Etsy store she’d purchased 7 of the them.

After those two weaves I immediately warped my loom for some black & white gradient scarves in Tencel.

The Copper Shop Gallery at the Roycroft Campus in East Aurora had sold some items I’d sent them in November, so I wanted t send them a few more. A scarf from this warp seemed like a seller to me. Here are the 4 items that finally made it into the mail today.

They got the gradient scarf with white weft. I also wove 2 more. Personally, the blue is my favorite, but I think the black & white will move faster. We’ll see.

Not something I made but instead something I just think is too sweet not to share. This vintage tablecoth is hand emboidered. I’ pretty sure it came from my mother’s, but I don’t think she made it either. Maybe my sister knows???

Now I have to go pick up my grandson from school, and if I don’t hit Publish RIGHT NOW this post will continue to linger.

March 4th, 2024 

Surprising myself

You know, I tell myself – and sometimes you – what I like and what I don’t. What turns me on and what leaves me cold. And the something happens and I change my mind.

Funny how that works, isn’t it? This latest work is an example of that.

Following my experience with that Fires Everywhere scarf, I wanted to do something similar but different for a shawl-width piece. After a bunch of playing around with various ideas, I decided on a black to white warp in solid colors, not gradients.

I also decided I was going to wind the warp out of 100% tencel, 8/2 sett at 24EPI, and even though 2 shuttle weaves are not my favorite, I would try out an alternating weft with tencel and rayon chenille. So I got busy winding. Here’s half of the width wound on my warping mill.

As always with tencel, the winding, beaming, and threading went smoothly. No hitches. So it was time to try the weaving. Again, everything was working well. Here’s the simple twill threading and treadling, as seen from the top while I was weaving. The warp alternates that 8/2 tencel in tabby with a fairly thick white rayon chenille, only about 800 yards per pound.

It is often the case that I like the ‘back’ side better than the ‘front’, and this was no exception. You can’t see much of it here, but think you get the idea. Little crosses inside the diamonds.

I had some company for a few days, and fringe twisting just takes time, so the pieces sat for about a week after they were cut of the loom. I finally got that all done and wet finished. This is where the surprise came in.

I had differential shrinkage. Or something similar that created strong vertical crinkles in the cloth. Which I surely didn’t expect. Here you can see the crinkly piece on the left and its fraternal twin that I’ve given a press to (needs more) on the right. Look at the width difference between these two pieces!

I honestly liked that crinkly piece, which surprised me. I sent photos of both pieces to my daughter and a friend to get their input Of course, I got two different opinions. And now that everything is totally fully dry I’m again second guessing. One piece will get mailed to The Copper Shop on the Roycroft Campus for sale, the other will go to the Weavers’ Guild Holiday Sale. I keep changing my mind and my opinion. Do I really like that crinkly piece, which is now a scarf and not a shawl? It feels so much different than the flatter, wider piece; harder/stiffer, of course, since it’s so much thicker. On the other hand, there are still so many wrinkles in the wider piece – will I be able to get them out if I use my steam press?

I need to move forward. I have one day to make a decision. Your input, dear readers?

September 8th, 2021 | 

Waddaya do?

You got all that undyed cotton. And you recently picked up a large shoebox full of dyes from another weaver/dyer. So what do you do? You dye, of course!

Before the cotton actually arrived I measured out a tencel warp for a scarf – mostly one handpainted colorway with a second, much smaller, that I’d use for warp stripes. I am very happy with these warps.

I have plenty of tencel and rayon on cones to choose from for weft.

Once the cotton got here I did some planning and measured out 3 bouts to make some yardage and a shawl. In my head I wanted to do a similar blue variation like on the Tencel above, with neutral tans for the stripes.

Well. Remember I said I’d picked up a mess of dyes from another weaver/dyer? There were 3 different blues in her box, and sill me, I thought they’d all be pretty different. But when I mixed them up they were all very similar. So I reverted to a strategy I haven’t used since I first started dyeing – I just started dumping things together. Then I added a bit of this and a bit of that from my own dye shelf. The colors all looked pretty dark when they were wet, so I wanted to make the neutral/tan bout light. I was careful with my mixes for that, since I was using all my own dyes that I’ve used before and knew what I wanted.

After the overnight batching, morning rinsing, daytime soaking, then more rinsing and finally drying, it was completely clear to m that this was NOT going to work as intended. I didn’t like the way these bouts looked together. NOT. AT. ALL.

So waddya do? If you’re me, you prepare more yarn for dyeing. This time I made 24 ounces of cotton into skeins for immersion dyeing for weft for that blue/green warp, knowing I had sufficient solid colors to use as offsetting stripes. I wanted a nice, rich, dark denim color, and think I achieved it.

I have a weave structure planned that I think will look great with these colors.

I also measured out another bout to dye just like that first bout with the golden & light chocolate splotches. I think I’ll just use undyed yarn for my stripes. Keep it simple & neutral. I checked my stash and have a variety of browns and oranges in mercerized cotton I can use for weft, but I dyed a skein of purple anyway, thinking it might make a nice contrast. I didn’t want to do a dye bath, so painted the purple dye on this skein and clearly didn’t get the solid coverage I wanted, but I’m not worried about that.

So now I have 3 distinct projects to get on the loom. I’m going to put each in a bag – with notes about length of the warp bouts and number of threads (guess who learned the hard way that her memory is unreliable on this score) – and I’ll have to decide which one I’ll do first. But for now I’m happy with what I’ve accomplished with the dyeing – and with using a bunch of that 14 pounds of cotton.

October 23rd, 2020 | 

It happened again

Once more, weeks have gone by without a post from me. And this time I can’t even claim to have posted things on Facebook; I haven’t.

Some days I feel remarkably unproductive. How did I ever get things done when I had a full time job? Other days I’m totally caught up in doing lots of mundane, routine tasks. But there it is. I can’t change the past. So here’s an update on what I have done in the past few weeks.

I took an online class through our Weaving Center on deflected doubleweave. I’d done a bit of it before but had limited experience with the structure. Plus I really wanted to see how it all worked, classes on Zoom, and how the Center might be able to support more of our teachers doing more online classes. I, for one, don’t see myself taking in-person classes for the rest of this year.

The class met once/week for 3 weeks. On our meeting days, we had 3 meetings, each an hour or more. And we were to be doing things in between meetings and weeks. So I spent a lot of time on that. I learned a lot, but I’m not sure how much of it I wi use. The instructor is a big fan of collapse weave, using yarns that will shrink differently – for instance a wool and a cotton – and that’s just not my bag. But here are a few shots of my samples, showing measurements before & after wet finishing. Note that the pink warp & weft was tencel, the dusty rose, when used, was rayon. Their shrinkage differentials were surprising.

Then, since I had enough warp on the loom, I decided to weave 2 scarves with these techniques. My opinion of them? Meh. If you would like one of them let me know & I’ll give you a screaming deal.

This one is woven partly with colcolastic thread/yarn. My intent was that the plain weave sections would really ‘pouf out’ from the colcolastic sections. The effect wasn’t as dramatic as I’d wanted.

I kind of liked the ‘bubble’ effect with the wool in the sample, so I dug out some baby lace-weight alpaca I had and wove the second scarf with that. I may have over-fulled the alpaca a bit; lack of experience. In any case, here’s that scarf.

Here’s a closeup of those bubbles. And what appears to be a treadling error I didn’t see until just now.

So with all of that it was taking forever to weave the next batch of Safe At Home towels. I finally have them off the loom, but haven’t begun to press or hem yet.

Unrelated to weaving...strike when the iron is hot, right? Well, it’s berry time. A woman who lives not too far from me has a cher tree. With her permission I picked quite a lot of fruit in 2018 and made jams and more. Last year almost no cherries developed. So this year when I saw her tree and again got her permission to pick, I did so. The cherries were mostly really high, much highe than I could reach with my ladder, and not so great. I only picked about four quarts of cherries, ended up throwing out about a quart of them, and got one batch of jam. One of those jar went to the tree owner, of course.

Then my son found some wild black raspberries near his house. He’s picked, I’ve picked, and we’ve picked together. Here’s the first of three batches of black raspberry jam I’ve made.

Then my second online fiber course started. This one is on painting two warps and using them in one project. I’ve done this before, too, but again wanted the experience of the Zoom structure. Working well ahead of the course plan, here are photos of my warps just after painting, and then when they’re steamed, rinsed, dried, and chained. It’s all 20/2 silk.

The first warp is purple, orange, burgundy, and reddish-fuchsia.

I had already partially wrapped this one before I took my photo. It’s gold, avocado, blue-green, and light indigo.

I’m very happy with the results and am looking forward to getting these on the loom.

I think I’m going to go outside my personal comfort zone and do random stripes, with a simple straight twill. (Random???? For someone with my control issues?? Oh my!!!)

July 15th, 2020 |

Honey Berries

That silk warp that I dyed, shown in the last post, was definitely much more pink than I intended. No idea what happened to the purple. Although I was inspired by the Honey Pie photo I showed, the pink in mine had me change the name to Honey & Berries Still I liked it well enough, so beamed it and started weaving. I used draft 22076 from Handweaving.net.

After auditioning a few different weft colors, I set off with a tan-ish color that I’m calling cafe latte. It worked well with all the warp colors, creating a more subtle overall look.

Next, in keeping with my ‘must-use-stash’ mantra, I went to the shelf where I had a few small cones of very fine cashmere-silk blend – roughly 9,000 yards per pound. I knew from experience that I couldn’t use this as warp, so weft it would be. I used double strands of this yarn, and at 4,500 yards per pound it was still thinner than the 20/2 silk. First I used a natural weft. Definitely toned everything down, but in a way I liked.

Back to that shelf of cashmere & silk, I chose black for the third scarf. As it always does, the black both popped the colors and darkened the overall look.

I usually have a definite favorite when I weave 3 pieces with different wefts. This time it’s a toss up for me between the natural and the black.

After I finished weaving with the black I had more warp left than I usually do, more than I wanted to just cut off and toss. So I used 2 strands of undyed 30/2 silk for the weft. This made the fabric a bit stiffer, and while I was weaving I could see this as a back yoke for a yet-to-be-planned garment. I’m not sure this will ever happen. Maybe it’ll turn into something else, maybe it will simply hang around and not get a ‘purpose.’

February 15th, 2020 | 

A few more pieces

I only have a few more days before my first show, so I’m finishing my last few items. I wove them on a warp I hand painted.

Here’s the thing...I obviously can’t reliably predict how the color will look from wet to dry yarn. My inspiration was Design Seeds sugared tones.

Nice summery pastels, right? HAH! Here’s what I ended up with.

We can all agree – Not. Even. Close.
So, how would I proceed? Well, if I wanted to tone it all down, I’d use a white weft. That’s what I did for the first scarf.

Much closer to the intent. And I like the random switching of the treadling pattern.
However, since I’d dyed some weft yarn to coordinate, I wanted to use it. I’m calling this one sugar & grapes.

Then, because I was clearly barely sufficient with the number of my cowls, I wove the last two into short-ish cowls instead of one fringed scarf. First I used a gold weft. Also reminiscent of the original intent.

Finally I used a grayed-blue yarn, giving the cowl a denim-like appearance.

On to the many off-loom and/or administrative tasks that need to be done before the show.

July 7th, 2019 | 

4 + 79 = ??

Of course we know that 4+79=83, but not in my world. Nope. 4 finished pieces + 79 bags = um...you can’t add those things together. But I did sew and string 79 bags in a few different sizes for packaging at my shows this year. Used about 60 yards of ribbon. Yes, 60 yards of ribbon.

I got four more pieces woven and finished so far this month. All on the last handpainted warp I had. Again, this is living coral and turquoise in 8/2 tencel, but this time the yarn was all painted in skeins, not warps. This type of dyeing has its own beauty, although I think I prefer painted warps over painted skeins.

That being said, I’m happy with all four pieces. First up is a jacket woven with an 8/2 black tencel weft. I threaded the loom with point twill, and used an M & W treadling. The weather has been so beautiful that I brought Lady Jane and Dolly both out in the evening for photos.

Then I used some 16/2 (or maybe even 20/2) rayon in a lovely peacock color. I tried tripling the weft but that was too much, so used it doubled. I also decided I needed more just plain shawls, no sewing involved.

I decided to weave 2 shortish and wideish cowls with the remainder of the warp. I changed the tie up and treadling, and used th doubled peacock yarn for the first piece.

Then back to the black tencel for the last piece. I also decided for a closer shot so you can see more detail in this piece.

So I have a total of 7 finished pieces, and 3 more off the loom awaiting my finishing. That’s why I decided to follow my wishes and put a warp for 8 more polka dot towels on the loom. This time in various blues. No sneak peeks!

June 23rd, 2019 | 

Starting May strong

It’s May 7th and I have 6 scarves woven, wet finished, and complete! First up, I started with some hand painted 20/2 silk. I dyed this yarn in late April, using a photo I found online from Blue Brick Dyeworks, as inspiration. They called it Prairie Storm, which works for me.

Here’s the yarn I ended up with from that inspiration image.

I chose a weave structure I’ve used many times and really like, and wove the first scarf with a 20/2 gold weft. Looks like that storm at dawn.

Then I used 2 strands of a textured green & white silk singles I’ve had for a long time. I also changed the treadling, turning the pattern into leaves. So different! The colors are more spring-like, and the texture adds a strong element.

Here’s a close up so you can see both weave structure and texture.

For the last scarf I wanted a strong color, so used 2 strands of 60/2 chocolate silk. Now that prairie storm is really threatening.

I went back to the treadling of the gold scarf, which you can’t really see there, but you can in this close up.

Then, sticking with my must-use-stash mantra, I pulled out a rayon seed yarn, something I’ve never used before. Sett at only 15 ends per inch, I had to remove my go-to 12-dent reed and go up to the attic to get my 6-dent to accommodate this ‘lumpy’ yarn. wasn’t at all sure how I’d like it. Turns out I love it! I used a different supplemental weft for each of the 3 scarves.

First is a wide ribbon with a gold metallic center. This one, like the other 2, has a regular old 8/2 rayon weft.

You can’t really appreciate that ribbon or the texture at that distance, so here’s a close up.

That wide ribbon didn’t look at all good on the loom, and I wasn’t at all sure how the whole thing would wet finish, so I cut it off and wet finished scarf number 1 before proceeding. Decided I didn’t want to use such a wide supplement, so re-threaded the reed for the next 2 scarves.

This one is uses a soy silk flat ribbon-like yarn in purples and pinks.

And the last one has a hand painted rayon yarn in greens and blues.

The only downside to these scarves is that there was no way I could twist that fringe, nor did I think they would make a nice hem So I tried a few different simple knotting techniques, but neither is as neat a look as I prefer.

Today I got the next scarf warp on the loom. This one is dominated by this interested rayon boucle yarn that has metallic interest Looking forward to seeing this one weave.

May 7th, 2019 | 

Telling more stories

I’m going to start this post without a story, just showing you a few pieces I forgot to post when I finished them in February. This is a mixed warp – cotton, bamboo, and rayon chenille. The weft is all rayon chenille. I particularly like this first piece, a long open vest with side slits, although it’s a tad small for me.

I intended this second piece to be a regular shawl with fringe. I twisted the fringe, and the combination of fibers turned into a rea mess during wet finishing. I untwisted and untied it all, and the piece sat there for a while waiting for me to decide if I would twist again, hem, or turn it into a mobi. Finally I decided to just hem it as is.

Okay, that turned into a story, but just a tiny one. Here’s a long one.

I wanted to do some dyeing, so went to my Pinterest page and looked at my Dyeing Inspiration board. Design Seeds is a marvelous place for color, and I was moved by their Color Spice combo.

I measured out 3 wide and 2 narrow bouts of 8/2 mercerized cotton and went down to the basement. The wide bouts were going to be the spicy colors, and the narrow a bit of turquoise to complement. I dyed the first wide bout, using a few new dyes I’d purchased, actual ‘professionally created’ colors instead of my own blended creations: golden oak, chocolate brown, and my ow terracotta blend.

I decided I needed more red in the mix, so added ‘some’ (not measured) red to my terracotta for the other 2 bouts. Then I dyed the skinny turquoise bouts. After batching and drying, it was clear that I’d been too stingy with the dyes – I had some undyed spots on my yarns. Nothing I can do about it now. So I beamed the lot.

As I was beaming I decided I wanted to use chocolate for weft for the first piece. Of course I didn’t have any yarn in anything faintly resembling that color, so I had to dye it. No sweat.

Except that in my ‘must use stash’ head I wanted to use some 8/3 mercerized cotton I’d picked up in a weaver’s sale. An odd size to be sure, but it looked nice and would work for weft. In winding it from cones to skeins for dyeing, problems arise. One of the cones looks okay, but is actually lots of shortish pieces. If I’d been planning to use it as warp I’d have thrown it away. However as weft, each of those short pieces was roughly the amount that would fit on a bobbin, so it made sense (at the time) t use it. I ended up with something like 25 mini skeins and 3 normal sized ones.

Mix up the dye bath, do the dyeing, and batching, get them out to dry. Uh oh. All those skeins ended up in a real mess! Granted don’t dye in skeins much and so probably didn’t tie them correctly, but I wanted to be sure I didn’t have white/undyed spots on this dark weft. It took me LOTS of time to untangle them and wind them into balls after everything was dry. But the color was just what I wanted.

Now to weave. Then machine sew. Then hand stitch. Here’s what I ended up with. I’m quite happy with all 3 pieces, and very pleased that I actually succeeded in creating pieces in the colors originally planned.

First up is an open front cardigan, using that chocolate weft 8/3 cotton weft. I didn’t make it as wide as my first two, and like the way this one hangs better on the body. (Neither Lady Jane nor the mannequin showed it as well as a real human does.) No nee to round the corners.

Next I used an 8/2 tencel in cayenne to weave a simple jacket. Really brightened up the look.

I finished off the warp with a sienna 8/2 tencel for a wide cowl.

Now I MUST get dressed and go walk Jack!

March 29th, 2019 |